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So named due to the creative process of reworking, stretching and "kneading" the glass, much like saltwater taffy, to create the unique colorations and shapes of these decorative, Collectible Vessels. Each is One of a kind. Duplication is impossible. This glass tends to be heavier than the other pieces. The process is long and tedious and these pieces take a long time to create. I often try to get 2 sculptures from a "batch of taffy glass "...so there may be 2 with similar colors, but the shapes will be completely different. The process completely changes in shape and coloration about halfway through. They average about 300 - 350 hours of kiln time and 150-200 hours of design time. They have a lot of depth and weight yet give the visual illusion of blown glass.
As a child, I would go to the State Fair with my grandmother, who introduced me to Salt Water Taffy. (I never told her I didn't care much for it), but I was mesmerized as a child, watching the process of it being stretched and pulled and changed from something soft and almost fluid to something so hard I could barely chew it. I also loved the rainbow of colors it came in. When I was working on this glass technique, that memory was so powerful, and definitely one that stood out as a light in a childhood that held a lot of pain and darkness.
though I live in the Sonoran Desert now, I am originally from the Great Lakes area of the Midwestern U.S. I spent much of my life near or on the water. Nature has always influenced my work, and I'm fascinated by water both in its fluid and solid forms. I recall the delicate beauty as well as the terrifying dangers of Midwestern ice storms, and the changing shapes and colors as the ice would melt and refreeze repeatedly, morphing into a surrealistic land of fantasy. I think glass is the perfect medium to portray those mystical qualities of nature. Each of these pieces takes me on a fantastic, creative "journey". The pieces are a blend of opposites...powerful, heavy elements often mixed with fiber-thin strands of glass so delicate and fine it's almost like silk. Each one is incredibly unique from every angle and with the right lighting, casts amazing shadows in a room. I hope you enjoy the journey! As with the Taffy GlassTM, these pieces also take longer to create., and by their nature are naturally less vibrant in color, with the focus being on extremes in shape and texture.
My waterscapes sell pretty quickly and I don't have too many photos available at the moment. The simplicity of the predominantly clear glass, accented with bits of blues, or iridescents is much like the beauty of black and white photography. As in photos or cinematography....when not using color, the key is in the shadowplay. Here, the key is in the light refraction created by the layers of textures. SIMPLY Beautiful.
The Landscapes are directly influenced by my life here in Arizona. The fragile ecosystem of the desert, and it's simple, raw beauty against the majestic cliffs, and red rock formations and the colors of the skies and the painted desert. Each piece also has a water feature, since, as a "Great Lakes Girl" and an Aquarius, I am always drawn to water.
The 4th piece "Richter Scale" depicts the angry force of Mother Nature during an earthquake, and how quickly that delicate balance changes. We are reminded in an instant that nature is precious and fragile, yet powerful and strong. Glass, having the same qualities, is the ideal medium to bring this series to life. These sculptures take an extreme amount of time, patience and glass to create. Richter Scale is the largest and weighs about 25 lbs. It contains elements of natural materials from the earth added into the final design. These were featured on my episode of the "Colour In Your Life" Australian Art Series. Season 16.
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